''Blackout. A menacing thundering begins. The atmosphere builds to an almost suffocating claustrophobia. Suddenly, lights go up on the surreal vision of performers, Lisa O’Neill and Christina Koch, costumed in electric blue crinolines. They move as if on rollers-continuously up and down the length of the space. We are unnerved by the thundering made by these blank-faced zombies. With their legs, feet and movements concealed by their enormous hooped skirts, their stomping remains an ‘open secret’. With crinoline as metaphor and sweat as evidence of the enormous energy required for this sort of containment and repression, the breath-taking score worked to unlock emotional sub-texts. The musicians became sculptors, sensing the figures in the cold, hard marble.’                                        Shane Rowlands, Realtime