Synopsis
A
woman enters an ice exhibition and allows herself to be drawn into the enigmatic
appeal of the male figured seen in Auguste Rodin’s sculpture, ‘The
Kiss’. His seductive appeal
satisfies her need to be romanticized and pushes her to delve into unexplored
feelings, which challenge her perceptions of what is real and what is imagined.
Rodin’s Kiss’ is about allowing
the emotionality and physicality of the performance delivery to be an internalising
experience, as dealt with by the performer. Hence the narrative movement
lends an impassioned gaze on the feelings and perceptions of a woman caught
in the grip of first love, illuminating our view into the human spirit.
It is a performance piece that evokes our sense of the journeying soul.
Credits
Creation & Performance: Lisa O’Neill/Caroline
Dunphy
Writer/story director: Peter Berkahn
Sound design: Brett Collery
Lighting Design: Paul Harrold, Marcus Pugh, Matt Scott, Lisa O’Neill
Set Design: Steve Langton
Costume Design: Sandra Anderson
Video Documentation: David Granato
Video Editor: Elizabeth Greitz
Funding Australia Council for the Arts
Support: Brisbane Powerhouse
‘I acknowledge the brilliance of the artistic team that created this complex work. Lisa O’Neill and Caroline Dunphy have achieved a very distinctive aesthetic that challenges taken for granted notions of ‘theatre’ in their balancing of contemporary dance, drama, music, sound and visual art.’ Christine Comans – Amplifications